Boss of the Barbed Wire
by
Barry Cord
Boss of the Barbed Wire
by
Barry Cord
A Town Called Yellowdog
by
J.T. Edson
The citizens of Moondog, Texas, stood staring at the small, blond, insignificant cowhand—only he seemed to be the biggest man present, towering over his two companions, and neither of them lacked size. Cold fury worked on Dusty Fog’s face as he pointed to the signboard announcing the name of the town.
“My brother came here because you begged for help,” he told them. “Danny put his life on the line
and you hadn’t the guts to back him. So he died. The name of this town’s all wrong and I aim to see
it put right. You!” His finger stabbed at the Blue Bull Saloon’s bartender. “Take your paint brush and cover over ‘Moondog’ on that sign. Put ‘Yellowdog’ in its place. Yellowdog, hombre. That’s what your town is—it and everybody in it.”
Slowly, his head hanging in shame, the bartender obeyed; for he and every man in the crowd knew that Dusty spoke the bitter truth.
Danny Fog rides into Moondog hunting for two missing Texas Rangers. They arrived ahead of him…and vanished. Now he’s in danger of becoming the third.
His cover blows almost the moment he hits town, and from that point on he’s playing against a stacked deck—Stella Howkins and her crew of hired guns run Moondog with fear, and the townsfolk are too terrified to speak. Just when Danny finally uncovers the truth, he’s murdered.
That’s when his brother, the Rio Hondo gun wizard Dusty Fog, rides in, backed by the deadly Ysabel Kid and the giant Mark Counter. Together, they aim to uncover what really happened…and settle the score in blood.
I’ve always found J.T. Edson’s work a bit uneven, but this one hits the mark. The action is constant, the mystery is tight, and the violence feels a notch higher than in many of his other books. The writing is sharp too—none of the rambling over‑descriptions that bog down some of his later novels. It left me hopeful that there are still plenty of great Edson stories waiting to be read.
5/5.
The Shadow of Iron Eyes
Iron Eyes #14
by
Rory Black
(Michael D. George)
Blinded after an accident, bounty hunter Iron Eyes roamed aimlessly until he heard the hungry crackle of flames devouring a ranch house in the distance. As he rode closer, he smelled the cold, metallic stench of spilled blood, and worse, the stink of burning bodies. Dismounting, he tried to learn more about what had happened to these people … but that was when he stopped a bullet, too.
Wounded, he fell, then lay helpless as his assailant came closer, intending to finish the job.
What happened next led the bounty hunter south to a place where only the Devil would feel at home. A place where the law had never ventured, a place where Iron Eyes would have to kill anyone who stood in his way.
Iron Eyes is nearly blind—temporarily, but badly enough that he moves through the world in a fog. In that dazed state he stumbles upon a burning ranch house, the bodies inside already beyond saving. Before he can make sense of the scene, a hidden gunman shoots him down.
When he finally wakes, he discovers his attacker is a girl named Sally—young, sharp, and far more dangerous than she first appears.
Thrown together by circumstance, these unlikely partners set out after the killers, riding hard toward the Mexican border, where their pursuit ends in blood and violence.
As a story, it isn’t the strongest entry in the series, but it isn’t the weakest either. This is the first time readers meet Squirrel Sally, who becomes a recurring presence in later Iron Eyes novels. Iron Eyes himself remains exactly as expected—unyielding, impossible to kill, and stubborn enough to keep going even half‑blind.
The odd piece is Mason Burr, a cold‑blooded killer whose storyline barely intersects with the main plot. He drifts alongside the narrative only to cross paths with the true villains near the end, without contributing to the final showdown. His inclusion seems mainly to set up how Squirrel Sally eventually acquires the stagecoach she uses in future books.
Still, the writing is solid, even if this installment doesn’t quite stand with the best of the series.
3/5
Four Ugly Guns
Buffalo hunter #2
by
Ralph Hayes
Unarmed Killer
by
C. William Harrison
The Dark Brand
by
H.A. DeRosso
Stuck in a jail cell with a man due to be hanged, Driscoll found out that the guy had robbed a bank and killed a man. He also found out that the money was never recovered. Now out of jail, Driscoll realizes that the townspeople think the condemned man had told Driscoll where the loot was buried before he had died. Now it seems that everybody wants that money enough to kill for it.
Some westerns are good and others are great — but DeRosso takes things a step beyond. The Dark Brand opens with Driscoll arrested and thrown into a cell with a man named Tennant. Tennant is set to hang, yet the stolen money he hid is never recovered.
That’s the hook. Tennant goes to the gallows, Driscoll goes to prison. When Driscoll finally gets out, he returns to hunt down the missing money — not for himself, but for Tennant’s wife, Hazel, and their boy, Billy. Trouble is, everyone assumes Tennant revealed the hiding place to Driscoll, turning him into a walking target for every greedy soul in the territory. That includes Ira Longstreet, the local lawman who wants the money badly enough to kill for it.
But if Tennant confided in anyone, it wasn’t Driscoll. That doesn’t matter. Driscoll is determined to find the stash and deliver it to the woman and the boy — even if it costs him his life.
A tough, gritty story with plenty of action to keep the pages flying. Highly recommended for western fans.
5/5
Six White Horses
by
James Robert Daniels